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are more and more of the streaming platform’s own original series.
Michael Straczynski, drops us into a world where eight strangers in different parts of the planet are somehow psychically and emotionally linked.
It’s a pungently goofy reminder that the history of “true crime” is dominated by “lowbrow” media—pulpy magazines, grocery-store paperbacks, salacious installments of Dateline or 20/20—and that its newfound sense of “prestige” is primarily a function of style.
Still, American Vandal’s most surprising strength is not its satire—which is, in the end, rather low-hanging fruit—but its steady construction of a narrative backdrop more compelling than its creators realize.
The second season of Jane the Virgin has treated us to an even more protective Jane who will swiftly go to battle for the people she loves. Set in 1950s London—read: pre-choice, not pro-choice—Call the Midwife focuses on the nurses and nuns who work at a convent in the East End.
Vanessa Redgrave narrates the experiences of Jenny Lee (Jessica Raine), a privileged young woman who must quickly adapt to life in an impoverished district, where medical resources are precious and newborns are plentiful.